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  <titleInfo>
    <title>The Antagonistic Unity of Copyright and Freedom of the Arts - Advocate General Emiliou’s Opinion in Pelham</title>
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    <namePart>Lennartz, Jannis</namePart>
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    <namePart>Kraetzig, Viktoria</namePart>
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    <dateIssued encoding="marc">2025</dateIssued>
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    <publisher>Verfassungsblog</publisher>
    <dateIssued>2025-07-03</dateIssued>
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  <abstract displayLabel="Summary">On 17 June 2025, Advocate General Emiliou delivered his opinion in the second referral of the German Federal Court of Justice (BGH) to the CJEU in the case “Pelham” – also known as “Metall auf Metall” (Case C-590/23). He defines “pastiche” – currently the most controversial concept of European copyright law – and makes a fundamental statement on EU copyright law and its relationship to freedom of the arts as guaranteed by Art. 13 CFR.The InfoSoc Directive, which is at the heart of EU copyright law, is too restrictive with regard to the artistic use of copyright-protected works and therefore not compatible with the Charter’s freedom of the arts. Emiliou’s opinion is a breakthrough. It grounds copyright in freedom of the arts and paves the way for a new perspective on the relationship between copyright and artistic freedom.</abstract>
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  <note type="statement of responsibility">Lennartz, Jannis</note>
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    <topic>Charta der Grundrechte | Europäische Union</topic>
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    <topic>Copyright</topic>
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    <topic>Copyright</topic>
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    <identifier type="issn">2366-7044</identifier>
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  <identifier type="doi">10.59704/190f5da5f8ad7148</identifier>
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