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  <titleInfo>
    <title>Control through Intervention - How Governments Shape Historical Memory Abroad</title>
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    <namePart>Bán, Marina</namePart>
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    <dateIssued encoding="marc">2020</dateIssued>
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    <publisher>Verfassungsblog</publisher>
    <dateIssued>2020-11-08</dateIssued>
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  <abstract displayLabel="Summary">In October 2020, the director of the Musée d’Histoire de Nantes announced the postponement of an upcoming exhibition on Mongol history and culture. The exhibition was supposed to be the result of a collaboration between the Nantes museum and the Inner Mongolia Museum in Hohhot, China. The decision of postponement came amidst an accusation of interference from the Chinese Bureau of Cultural Heritage. According to the director, The Chinese Bureau requested unprecedented control over the exhibition’s organization, including eliminating references to the Mongol Empire and Genghis Khan. The director of the Nantes Museum stated that the breakdown in the collaboration was caused by the Chinese Bureau’s attempt to ‘rewrite history and erase Mongol culture’; an effort the museum could not abide by.</abstract>
  <accessCondition type="use and reproduction">CC BY-SA 4.0</accessCondition>
  <note type="statement of responsibility">Bán, Marina</note>
  <subject>
    <topic>Academic Freedom</topic>
  </subject>
  <subject>
    <topic>Freedom of Expression</topic>
  </subject>
  <subject>
    <topic>Memory Laws</topic>
  </subject>
  <subject>
    <topic>Mongol Suppression</topic>
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  <classification authority="ddc" edition="23">342</classification>
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    <identifier type="issn">2366-7044</identifier>
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      <namePart>Max Steinbeis Verfassungsblog gGmbH</namePart>
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  <identifier type="doi">10.17176/20201108-235504-0</identifier>
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