<?xml version="1.0" encoding="UTF-8"?>
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  <dc:identifier>http://dx.doi.org/10.59704/ec23640c7be54a75</dc:identifier>
  <dc:identifier>https://verfassungsblog.de/found-writing/</dc:identifier>
  <dc:title>Found Writing - Of Cages, Forms, and Elena Ferrante</dc:title>
  <dc:creator>Loxen, Victor</dc:creator>
  <dc:language>eng</dc:language>
  <dc:date>2026-07-17</dc:date>
  <dc:type>electronic resource</dc:type>
  <dc:format>text/html</dc:format>
  <dc:subject>ddc:342</dc:subject>
  <dc:subject>AI</dc:subject>
  <dc:subject>Artificial Intelligence</dc:subject>
  <dc:subject>Behind the Scenes</dc:subject>
  <dc:subject>Kreativität</dc:subject>
  <dc:subject>Legal Academia</dc:subject>
  <dc:publisher>Verfassungsblog</dc:publisher>
  <dc:relation>Verfassungsblog--2366-7044</dc:relation>
  <dc:rights>CC BY-SA 4.0</dc:rights>
  <dc:description>In one of his tracks, the rapper Vega writes: I’m disappearing for a year, because I only write when it hurts. One could read that therapeutically, yet nothing in it speaks of writing as release, let alone redemption. The sting sits deeper: it sits in writing itself. Almost everything comes from outside. To write about creativity – perhaps even my own – in the age of “AI” therefore struck me as hardly worthwhile. It will already be written down somewhere, or at the very least is being written right now. And that is what this shall be about: a writing that reads – a “found writing.”</dc:description>
</dc>
