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      <datestamp>2026-07-25T10:54:29Z</datestamp>
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        <dc:identifier>http://dx.doi.org/10.59704/93b8740835e33d60</dc:identifier>
        <dc:identifier>https://verfassungsblog.de/cuts-behind-the-scenes/</dc:identifier>
        <dc:title>Cuts Behind the Scenes - On Artificial Intelligence, Physical Presence, and Idea Injustice</dc:title>
        <dc:creator>Bayer, Daria</dc:creator>
        <dc:language>eng</dc:language>
        <dc:date>2026-07-24</dc:date>
        <dc:type>electronic resource</dc:type>
        <dc:format>text/html</dc:format>
        <dc:subject>ddc:342</dc:subject>
        <dc:subject>AI</dc:subject>
        <dc:subject>Artificial Intelligence</dc:subject>
        <dc:subject>Behind the Scenes</dc:subject>
        <dc:subject>culture</dc:subject>
        <dc:subject>Legal Academia</dc:subject>
        <dc:subject>Research</dc:subject>
        <dc:subject>Science</dc:subject>
        <dc:publisher>Verfassungsblog</dc:publisher>
        <dc:relation>Verfassungsblog--2366-7044</dc:relation>
        <dc:rights>CC BY-SA 4.0</dc:rights>
        <dc:description>How do I find ideas for what I write? Luckily, beyond law there is also theatre, where I do not have to choose between guilty and not guilty, where I can instead engage with social questions in all their ambivalence – though there too, crucially, you should not waffle, at least not without dramaturgical purpose. Because in theatre especially, you must think of the audience: away with overlong monologues, unnecessary scenes, confusing plots. Cut, cut, cut. I try to follow this rule when writing academic texts too. Unfortunately, the cutting does not happen in texts, where it would make sense, but behind the scenes, where it is devastating.</dc:description>
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