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  <titleInfo>
    <title>The Sound of RBG</title>
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    <namePart>Grochowski, Mateusz</namePart>
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    <publisher>Verfassungsblog</publisher>
    <dateIssued>2023-12-08</dateIssued>
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  <abstract displayLabel="Summary">The year 2023, which is slowly approaching its end, has marked a twofold jubilee of the late US Supreme Court Justice Ruth Bader Ginsburg. It is both the 90th anniversary of her birth and the 30th anniversary of her Supreme Court appointment. Her immense impact on US law and culture has been honored in a variety of ways, from a special issue of the Harvard Law Review and a ship’s name to a LEGO figure. One dimension of her remembrance, however, often escapes notice, although it offers a unique understanding of RBG’s legacy. This dimension is classical music. Music history has on many occasions venerated living or recently deceased contemporaries – it is enough to mention Verdi’s Requiem and the tangled ways of Beethoven’s Eroica dedication. It is, however, an extremely rare form of tribute when extended to lawyers for the sake of their legal accomplishments as such. Let's take a look.</abstract>
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  <note type="statement of responsibility">Grochowski, Mateusz</note>
  <subject>
    <topic>Classics</topic>
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  <subject>
    <topic>Ginsburg Ruth Bader | 1933-2020 | Verfassungsrichterin</topic>
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  <subject>
    <topic>Hommage</topic>
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    <topic>Ginsburg Ruth Bader | 1933-2020 | Verfassungsrichterin</topic>
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    <topic>Hommage</topic>
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