The Antagonistic Unity of Copyright and Freedom of the Arts
On 17 June 2025, Advocate General Emiliou delivered his opinion in the second referral of the German Federal Court of Justice (BGH) to the CJEU in the case “Pelham” – also known as “Metall auf Metall” (Case C-590/23). He defines “pastiche” – currently the most controversial concept of European copyright law – and makes a fundamental statement on EU copyright law and its relationship to freedom of the arts as guaranteed by Art. 13 CFR.The InfoSoc Directive, which is at the heart of EU copyright law, is too restrictive with regard to the artistic use of copyright-protected works and therefore not compatible with the Charter’s freedom of the arts. Emiliou’s opinion is a breakthrough. It grounds copyright in freedom of the arts and paves the way for a new perspective on the relationship between copyright and artistic freedom.
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The Fall of The Great Paywall for EU Harmonised Standards
In case C-588/21 P, the CJEU dismantled a foundational axiom of the European Standardisation System: the paywall of harmonised standards. The Court confirmed that harmonised standards are an integral part of EU law, mandating their free accessibility. In this commentary, I posit that the Court’s decision imposes a proactive publication obligation and challenges the existing copyright protection afforded to harmonised standards.
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