Ceci n’est pas un Ban?
On 19th January 2025, the ‘Protecting Americans from Foreign Adversary Controlled Applications Act’ became operative in the USA in respect of TikTok, routinely (but somehow deceptively) referred to as ‘TikTok ban’. I will not deal in detail here with the saga (which readers of this blog are already familiar with), but with the misalignment between legal form and political narrative: A vaguely formulated statute became a symbolical proxy for principled confrontation over the underlying values.
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ByteDance v. Commission
The Digital Markets Act (DMA) is a revolutionary tool to regulate EU digital markets, it complements competition law by imposing ex ante obligations on the largest digital undertakings. The General Court judgement in the ByteDance case was the first test of the limits of this expediated enforcement and resulted in a remarkable win for the Commission. The Court dismissed ByteDance’s appeal against the European Commission’s decision to designate ByteDance with its social network TikTok as gatekeeper under the DMA.
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„Mr. President, Does the TikTok ban conform with the Constitution?“
Der US-Kongress hat ein Verbot von TikTok beschlossen, dies im Rahmen von zwei Gesetzen, welche sich – aus Gründen der nationalen Sicherheit und des Datenschutzes – gegen von feindlichen ausländischen Staaten (Foreign Adversary Countries) beherrschten Unternehmungen richten. Damit soll es in den USA nunmehr zwei Standards bei Plattformregulierungen geben: Sehr liberale als Normalfall, und strenge in Zusammenhang mit sog. Foreign Adversary Countries.
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