12 October 2026
What AI Cannot See
The legal traditions of Indigenous Peoples and of much of the non-Western world are characteristically oral, relational, etched in carvings, seasonal, performative, and place-based. Their normative content lives in narrative, genealogy, ceremony, and the deliberations of communities; their authority is constituted through relationships between people, land, ancestors, and the non-human world. An AI system built to learn from text does not merely fail to locate such law. It is architecturally incapable of recognising legal knowledge in the forms in which that law exists. Continue reading >>
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08 October 2026
Thinking Machines, Thinking Lawyers
This symposium explores the relationship between AI and the production and delivery of legal knowledge. It also interrogates how emerging AI-based capabilities are shaping the way lawyers think, research, and act. It does not claim to present perfect answers, but is an attempt to initiate conversations on the multifaceted changes posed by AI-assisted capabilities to our traditional ways of doing legal research and teaching. Continue reading >>25 September 2026
Why I Write
I am not an award-winning writer or scholar. I live and work in conditions that are endlessly generative in terms of ideas that I could write about, and still, those very same conditions make it almost impossible to write. I write because I have come to know that it is a way in which I experience my humanness and a way in which I connect with the humanness of others across time and space. Perhaps this is why, for my writing, I do not use AI, at least not intentionally and not yet. Continue reading >>
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11 September 2026
Towards the Smoothed Word
İnsan olmaya geldim – I have come to be human. The line goes back to Nimri Dede, a folk poet from a village near Elazığ. If you know it, you probably know it in the voice of Arif Sağ, who turned the poem into one of the best-known spiritual songs of the Alevi-Bektashi tradition. Each stanza ends on the same rhyme: Özde, in the core. Sözde, in the word. Yüzde, in the face. İzde, in the trace. Közde, in the embers. Registers of becoming human, listed one after another, none struck out or played off against the others – like a refusal to split being human into a part fit to be shown and a part one merely brings along. The academic world I work in often demands the opposite movement. It demands the split: bring the word, leave the core at home. Continue reading >>
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24 July 2026
Cuts Behind the Scenes
How do I find ideas for what I write? Luckily, beyond law there is also theatre, where I do not have to choose between guilty and not guilty, where I can instead engage with social questions in all their ambivalence – though there too, crucially, you should not waffle, at least not without dramaturgical purpose. Because in theatre especially, you must think of the audience: away with overlong monologues, unnecessary scenes, confusing plots. Cut, cut, cut. I try to follow this rule when writing academic texts too. Unfortunately, the cutting does not happen in texts, where it would make sense, but behind the scenes, where it is devastating. Continue reading >>
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17 July 2026
Found Writing
In one of his tracks, the rapper Vega writes: I’m disappearing for a year, because I only write when it hurts. One could read that therapeutically, yet nothing in it speaks of writing as release, let alone redemption. The sting sits deeper: it sits in writing itself. Almost everything comes from outside. To write about creativity – perhaps even my own – in the age of “AI” therefore struck me as hardly worthwhile. It will already be written down somewhere, or at the very least is being written right now. And that is what this shall be about: a writing that reads – a “found writing.” Continue reading >>08 July 2026
AI Is Eating the Book World
In 2011, Marc Andreessen, a key figure in California’s venture capital scene, coined the phrase: “Software is eating the world.” The phrase describes the spread of software into everyday life and the displacement of physical business models. This process continues in an unexpectedly literal sense: AI companies purchase used books, scan them, and dispose of them to gather input for their models. The reason for this seemingly cumbersome method is the expectation that it will fall under the fair use provision of U.S. copyright law. Continue reading >>
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08 July 2026
The Problems with “General Purpose AI Detectability”
As AI-generated media flood our information ecosystems, detecting synthetic content has become an urgent regulatory challenge – in fact, not one challenge but many, as synthetic media breeds problems across a range of digital contexts, including deepfakes and disinformation, scamming, and content moderation. The EU's new "Code of Practice on Transparency of AI-Generated Content" – the first concrete articulation of Article 50(2) AI Act, the EU's approach to AI-content detection – gives sensible answers to several open questions and will advance the global regulatory debate. Continue reading >>
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19 June 2026
Spotting Mushrooms
Hunting for mushrooms is a passion of mine. I walk through the forest and let my scout’s eye wander. Hold on. Something’s not right. There’s something not quite natural about the way last year’s leaves are layered there, between those patches of sunlight. Among all the earth-brown and dust-grey, there are strange, often strangely intense colours: an egg-yolk yellow, a velvety brown, an ivory white. That is how I find mushrooms – and that is how I find my ideas when I write. Lately, I’ve had someone – or something – by my side. He, or it, is called Claude, and he presents him-/itself the whole time as though he/it were a companion, a subject, a person. Continue reading >>
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15 June 2026